The Box Office Report
‘Dune: Part Two’ spices up the box office with an $81.5M weekend
The second ‘Dune’ film finally gives 2024 a major opening weekend. How soon until WB gives ‘Dune Messiah’ the green light?
The Box Office Report
A look at the weekend box office.
The Box Office Report
‘Bob Marley’ feels the box office love as ‘Dune’ looms
‘One Love’ captures the top spot for the second weekend in a row as ‘Madame Web’ gets washed out.
The Box Office Report
‘Madame Web’ fails to spin a box office win against ‘Bob Marley’
Sony’s 'Spider-Man without Spider-Man' cinematic universe took another hit while the Bob Marley biopic easily captured the No. 1 spot.
The Box Office Report
With the Super Bowl looming, ‘Argylle’ wins an awful box office weekend
The top five movies barely cracked $20 million, with Matthew Vaughn’s spy film leading the way.
The Box Office Report
‘Argylle’ flops, but still spies an opening weekend box office win
The good news? ‘Argylle’ is the No. 1 film. The bad news? It cost $200 million to make.
The Box Office Report
Jason Statham’s ‘The Beekeeper’ tells ‘Mean Girls’ to buzz off
With no new releases to crack the top five, ‘The Beekeeper’ wins by losing the least.
The Box Office Report
‘Mean Girls’ leads a reprise of last weekend at the box office
The musical remake wins a weekend that looks exactly like last weekend.
The Box Office Report
Get in, loser, 'Mean Girls' wins the weekend
The musical remake burns rivals like ‘The Beekeeper’ and ‘Wonka.’
The Box Office Report
Another sweet weekend for ‘Wonka’
We’re back after a few weekends off — and Timothée Chalamet’s prequel is still the top film.
The Box Office Report
‘Wonka’ wins the weekend, but is it the treat Warner Bros. had hoped for?
Timothée Chalamet danced his way to the top of the box office.
The Box Office Report
‘The Boy and the Heron’ breaks new ground for an anime film
Will ‘Wonka’ wake up the box office next weekend?
The Box Office Report
Beyoncé and ‘Renaissance’ save the weekend
The concert film scored the No. 1 spot while ‘Wish,’ ‘Napoleon’ and ‘The Marvels’ continued the free fall of tentpole films.